http://harvardpress.typepad.com/hup_pub … oetry.html

With new perspectives on Kant's Miltonic ways of seeing, can we explain why in the Opus postumum, in the margins of Kant’s final effort to trace the mind's self-positing representation, he three times turns his eyes, explicitly, to Milton's poetry? (We have this, unforgettably, in Kant's own handwriting.) Were these Kant’s final memoranda for doing philosophy-poetry, for resuming this voyage of discovery, with Milton in his mind to the last? How, in short, might the poetry of Milton have aroused Kant's final self-positing?

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това пък май е било постнато за 286-ия му рожден ден (22/04/1724)